|
''2081'' is a 2009 short science fiction film which premiered at the Seattle International Film Festival on May 29, 2009. It is directed and written by Chandler Tuttle, based on the short story "Harrison Bergeron" by author Kurt Vonnegut. The cast is led by James Cosmo, Julie Hagerty, and Armie Hammer. The story paints a picture through the use of hyperbole of a future in which a powerful, dictatorial government goes to extreme measures to ensure that absolute equality exists between every individual. == Plot == The film takes place in the dystopian American society of the year 2081, in which all individual inequality has been erased by the fictional 211th, 212th, and 213th Amendments to the Constitution and the "unceasing vigilance of the United States Handicapper General", after that cabinet office was created to ensure a "golden age of equality" in the United States. Exceptionalness in the world is destroyed in the name of equality, achieved through the use of "handicaps" - physical devices used to nullify every inborn advantage any person might have over another: "The strong wear weights, the beautiful wear masks and the intelligent wear earpieces that fire off loud noises to keep them from taking unfair advantage of their brains."〔(''2081'' - About the Film ) Finallyequal.com retrieved 2008-08-19〕 Following closely with Vonnegut's original story, ''2081'' begins with George and Hazel Bergeron — parents of the exceptionally strong, intelligent, handsome Harrison Bergeron — sitting in their living room, watching the ballet on television. George carries many "handicaps", wearing an earpiece and heavy weights to counteract his intelligence and strength, respectively. Hazel, being perfectly average and capable of only carrying thoughts in "short bursts", wears none. Six years prior, Harrison was taken in a raid on their home by a SWAT team from the office of the Handicapper General. Sitting in his sofa, George tries to think about the event, but can't quite bring himself to recall exactly what happened in between the painful intermittent bursts sent through his earpiece. He continues to watch the ballet instead. The ballet is interrupted by a government news report being read by a news anchor with a severe speech impediment about the escaped fugitive Harrison Bergeron. George watches the report with a hint of interest. The report concludes and returns to the regularly scheduled ballet, featuring delicate ballerinas heavily weighed down to ensure that they are only as graceful as the average person. Just then, loud stomps can be heard approaching the stage, as the ballerinas cower in terror. Harrison Bergeron marches down the aisle and leaps onto the stage with a heavy thud, almost unhindered by the weight of his massive handicaps. In a deviation from Vonnegut's story, he begins his address to the audience in the theater and those watching at home by claiming to have a bomb under the stage, the detonator to which he holds in his hand. The audience listens to his address in shock as he peels off his handicaps and chooses a volunteer ballerina to do the same. He takes her hand, and for a few brief moments, the two dance, unhindered, as the audience watches, mystified by the pair's unbridled grace and elegance. The enforcers of the Handicapper General, keen to keep this display under wraps, surround the theater and quickly cut the video feed to the television audience as the Handicapper General herself marches down the aisle with a shotgun. On cue, Harrison pushes the button of his "detonator", which rather than detonating the dummy bomb under the stage, sends a signal to a device that overrides the video block, reminiscent of John Galt’s broadcast in Ayn Rand’s ''Atlas Shrugged''. He looks into the camera with a proud but slightly somber grin. George smiles back at the television. Unaware that the video feed is again being broadcast, the Handicapper General fires the shotgun, killing Harrison and his ballerina. The SWAT team leader, having been unable to stop her before she fired, informs her of their mistake. In surprise and embarrassment, she looks around in realization that this gruesome, atrocious act of oppression has been broadcast for all to see. George stares heartbrokenly into the television as the signal is again blocked, until his train of thought is again broken by the screeching of his headset; true to Vonnegut's telling of the story,〔 the gravity of the moment is lost on them, and they slip back into normalcy. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「2081 (film)」の詳細全文を読む スポンサード リンク
|